Case (
case) wrote in
fandomsecrets2024-09-09 05:40 pm
[ SECRET POST #6457 ]
⌈ Secret Post #6457 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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[Dashing Youth]
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[Blacksad]
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Notes:
Secrets Left to Post: 02 pages, 32 secrets from Secret Submission Post #923.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Re: Satisfying Endings - inspired by secret #8
(Anonymous) 2024-09-09 11:33 pm (UTC)(link)Ironically, I remember two things: Tolkien had the bad habit of cutting away from climactic battles by knocking the character out, and while I understand the Scourging of the Shire in a worldbuilding and symbolic sense, it kind of made the story dragon a bit.
I also remember how when I first watched ROTK on theaters, people applauded every time the film faded. First when Frodo and Sam held each other, resigned to die; then when the eagles picked them; then when the community reunited; then when Aragon was crowned and the story ended with him kissing Arwen! People even stood up to clap wildly! But then there was the whole ending of Frodo...
Still, I like that ending because it did its best to end as many things as possible, and it showed via character actions and reactions the effect the war had on them. The scene of them in the pub, sitting in silence, and then bumping their mugs together, is a powerful one, because it shows without any dialogue or action the absolute hell the four hobbits went from. I read a lot of veterans voicing how it really feels like that. It doesn't follow book stuff since it also avoids the Scourging of the Shire (IMHO a good choice), but it keeps the spirit of the book in how war changes you.
Re: Satisfying Endings - inspired by secret #8
Re: Satisfying Endings - inspired by secret #8
Re: Satisfying Endings - inspired by secret #8
(Anonymous) 2024-09-10 02:15 am (UTC)(link)