[ SECRET POST #1907 ]

[case]

⌈ Secret Post #1907 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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07.
[Disney's Gargoyles]


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08.
[X-Men: First Class]


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09.
[keanu reeves]


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10.
[keanu reeves]


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[ ----- SPOILERY SECRETS AHEAD ----- ]


















11. [SPOILERS for Death Note]



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12. [SPOILERS for Kuragehime]



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13. [SPOILERS for The Walking Dead]



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14. [SPOILERS for Supernatural]



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15. [SPOILERS for Mass Effect 3]



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16. [SPOILERS for Mass Effect 3]



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17. [SPOILERS for Mass Effect 3]



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[ ----- TRIGGERY SECRETS AHEAD ----- ]



















18. [TRIGGER WARNING for sexual abuse]



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19. [TRIGGER WARNING for rape]



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20. [TRIGGER WARNING for rape]



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Notes:

Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #272.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 1 - too big ], [ 0 - repeat ], [ 1 - hit/ship/spiration ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[childings.livejournal.com]

Technically they've been computer animating them since Little Mermaid and the CAPS system

The whole movie wasn't done on a computer, though. The character animation was still done with traditional cel animation. Yeah, they used computers in films like Beauty and the Beast too (the ballroom scene is a famous example) but all the character animation was still done by painting the characters onto pieces of celluloid and shooting each frame individually in a sequence, the old-fashioned way

[othellia.livejournal.com]

Only have wikipedia (http://en.wikipedia.org/wiki/Computer_Animation_Production_System) to back me up, so feel free to correct me if I'm wrong, but I'm pretty sure CAPS is 100% digital. It does mention Little Mermaid only used CAPS for the final scene, so the rest of the movie is celluloid but pretty much every Disney movie afterwards is a 100% digital in terms of "scan drawing into computer and ink/shade them there". Yeah, they did pencil tests on actual paper and they'd "make" celluloids of certain scenes/frames to sell as collectables, but it all turned digital a lot earlier than people think.

[childings.livejournal.com]

pretty much every Disney movie afterwards is a 100% digital in terms of "scan drawing into computer and ink/shade them there"

Wow, that's crazy. All the time I thought Beauty and the Beast used cel animation but I guess I was wrong. It certainly doesn't look digital, anyway

[othellia.livejournal.com]

Well, seeing as how every cel eventually had to be converted to either VHS or later DVD (digital), I guess there wouldn't be much of a different finished project-wise. It's like those poster versions of famous paintings. Are they digital works of art because they were scanned in and printed as such or do they still count as traditional works because of the source material?

Traditionally animated 2D works of the 90's and beyond are very much the same. They're still drawn the same, human hand behind each and every frame, they just utilize different tools (celluloid vs computer). You could even make the argument that computers are the natural successor to celluloid, just as celluloid was the natural successor to paper, making it so that they didn't have to keep drawing the background over and over and over again.

And I think the reason people refer to them as traditionally animated films vs computer 2D films is to distinguish between the hand drawn stuff and the flash drawn stuff (e.g. My Little Pony) of which the latter is much cheaper and faster to produce.

[/animation geekery]