case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2012-06-05 06:42 pm

[ SECRET POST #1981 ]


⌈ Secret Post #1981 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 03 pages, 68 secrets from Secret Submission Post #283.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

(Anonymous) 2012-06-06 07:35 pm (UTC)(link)
Cloud's absolute dorkiness when his "real personality" comes out, and the absolute minduck of what is and is not "really Cloud", how willing he was the entire time, all that. The lack of an in-your-face love story for him - you can ship whatever you want, but I love that VII doesn't make an actual indication of who Cloud is and is not with. Because it's not important right then, and he's not ready for relationships anyway - and the story doesn't force him to ~heal~ and ~love~ as resolution.

The way the initial villainy of the Shinra falls apart partway through, but still lingers all the way until the very end.

The different aspects of the world, from the grunge you could feel in Midgar to the gorgeous natural landscapes. Junon felt like a fundamentally different place from Kalm or Mideel, and not just because of climates being slapped on top of each of them.

And speaking of places, Nibelheim will always be the eeriest goddamn location in a game for me. Just, that "off" feeling you get. Sticks with me more than any other.

It's not the only game that does any of this stuff, no, but I like it anyway.