Case (
case) wrote in
fandomsecrets2012-08-17 06:28 pm
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[ SECRET POST #2054 ]
β Secret Post #2054 β
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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[Tracy Beaker Returns/The Dumping Ground]
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[ ----- SPOILERY SECRETS AHEAD ----- ]
23. [SPOILERS for Usagi Drop]

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24. [SPOILERS for Legend of Korra]

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25. [SPOILERS for XXXholic]

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26. [SPOILERS for Revenge]

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[ ----- TRIGGERY SECRETS AHEAD ----- ]
27. [WARNING for abuse and rape]

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28. [WARNING for rape]

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29. [WARNING for rape]

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30. [WARNING for rape]

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31. [WARNING for rape]

[American Horror Story]
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32. [WARNING for rape]

[Sons of Anarchy]
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33. [WARNING for child abuse]

[08th MS Team]
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34. [WARNING for suicide]

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35. [WARNING for gore, animal abuse]

[American Psycho]
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36. [WARNING for incest]

[Chrono Crusade]
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37. [WARNING for underage]

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38. [WARNING for bullying/abuse]

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Notes:
Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #293.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
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Thanks for letting me know. <3
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You're so helpful. Thank you for taking your time with me.
Maybe Cool Story Bro:
This conversation actually reminds me about how I feel about Marvel and DC in general. I wish I could get into comics but Quesadas himself is a great example of why I can't. Not because of any poor decisions but because there never seems to be any consistency. New writers, artists, producers, etc. mean I can never settle down with the medium or story like I could with the (relative) safety of books or TV. It's frustrating because I know, in general, I would like those comics and the stories they have to tell.
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I don't think that's necessary true. I mean a lot of books keep the same writer for years thus keeping the story relatively consistent (e.g. Ed Brubaker on Captain America or Peter David on X-Factor). And there's always miniseries and short runs that are fairly self-contained.
I think part what Marvel is doing with Marvel NOW! is fixing this problem by deciding on a creative team and then sticking with them for a while so that they'll get really nice, thought-out, consistent story-arcs.
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And it's weird for me. American comics seem to be the only medium that I can't fully get into.
Sorry I seem really negative. I just wish I fully understood why I can't get into something I know I could enjoy.
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There's decades worth of awesomeness there, and an unbelievable volume of glorious characters, great stories, endlessly complex continuity that draws you in by functioning almost exactly like (and even more addictively than) Tv Tropes β leading you on and on and on via references to discover goldmines in the form of storylines and characters you'd never have thought to look at before, all in two brilliantly interwoven shared universes, all of which is far enough in the past that you can tell the good from the bad and get an assist on what storylines are important and why with a quick internet search.
Why bother with current crap? Read it in a couple years when the storylines have been told and their places in the universes have been established.
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Just, how does one buy old comics? I was under the impression that the comic book stores in my area only sold new stuff and rare/exclusive stuff. And how much money should I be expecting to spend on this?
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And, uh, sometimes I illegally download it, but I try to only do that when I'm just testing the waters and have no idea if I'll actually like something. Not because of morals, because I honestly would be ecstatic if Marvel never got another cent out of me, but it's pretty irritating and unsatisfying to try to read downloaded comic scans on your computer, compared to a physical issue or book. Much more so than watching a movie or reading plain text on the computer.
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I think I'll start poking my nose around to see what comics I would like.
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(Anonymous) 2012-08-18 04:43 am (UTC)(link)Since One More Day, the event in question, Amazing Spider-Man's sales have gone down significantly. Marvel's getting desperate with each arc being a big "event" and having ten thousand variant covers per issue.
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(Anonymous) 2012-08-18 05:05 am (UTC)(link)The problem with One More Day is that he had a major, major axe to grind in terms of how he personally saw Spider-Man. He wanted Peter single/never married and he wanted it in whatever way he could, going so far as to even draw panels for the One More Day issues, he was that invested in it. That determination to make Spider-Man the way he remembered him eclipsed everything to the point where the current Spider-Man writer wanted his name taken off the run due to Quesada's editorial meddling.
So essentially Quesada can be a dick in getting his way, but he mostly knew how to run the business. Even if it is a wildly reviled decision by lots of writers, critics and fans, the rest of what he's doing is working. That means fans basically have to suck it up and buy the titles they like and hope one day someone will find the means to retcon this retcon.
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But it makes sense. He can see and sense talent but has none himself or is a bit too obsessive in some areas. And yeah, I heard about that name drop thing. I watch Linkara sometimes and he mentioned it.
But if the Spider-Man comics are doing poorly then it would teach him a lesson about such huge levels of meddling hopefully.
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yes. the ultimate line, for instance, was created under his tenure and it was moderately successful. very successful in the case of ultimate spider-man.
he's not eic anymore, that's axel alonso, but alonso (and tom brevoort) is basically carrying on with quesada's work, and while i think events such as the current avx are cheap and depressing, sales are good.
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since the avengers is the apple of the company's eye right now, they're breaking the x-men to make it fit under the avengers' wing/avengers-run world. but the x-men have been independent for too long, so the solution was to put a question mark over their independence, dismantle utopia and discredit their leadership. thus avx.
that's what went through their heads.
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