case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2012-12-02 03:05 pm

[ SECRET POST #2161 ]


⌈ Secret Post #2161 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 04 pages, 098 secrets from Secret Submission Post #309.
Secrets Not Posted: [ 0 - broken links ], [ 1 2 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
segnung: A dyad in the force. ([film: IB; OTP] You and I)

Re: Fictional deaths/distresses

[personal profile] segnung 2012-12-02 11:53 pm (UTC)(link)
Shosanna Dreyfus and Fredrick Zoller in Inglourious Basterds.

It's a beautiful scene, it's their consummation (as even Tarantino has stated it is), and it's the best scene in the entire film.

Still, as much as I love it, it's also heartbreaking. They're just essentially two damaged kids forced into this war and they deserved better. However, in their circumstance, it's the most humane and loving end either of them could have ever had.

In a similar vein, the end for Mr. Orange and Mr. White in Reservoir Dogs gets to me just like Shosanna/Fredrick does. I just kept holding out hope that it was going to end differently for them, even though I knew it realistically couldn't - at least, not in their situation.

Tarantino is very good at making me fall in love with his characters and then hurting me at the end.

Re: Fictional deaths/distresses

(Anonymous) 2012-12-03 03:18 am (UTC)(link)
"Tarantino is very good at making me fall in love with his characters and then hurting me at the end."

A thousand times yes.