[ SECRET POST #2216 ]

[case]

⌈ Secret Post #2216 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 05 pages, 120 secrets from Secret Submission Post #317.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 1 2 - too big ], [ 0 - repeat ], [ 1 - personal attack ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

Re: Reading actual books

[(Anonymous)]

it's not considered a classic

come on

i'm not saying this against Harry Potter in any way, but you need more than 15 years before you can justly call something a classic

Re: Reading actual books

[bluepard]

It's being studied in universities, which apparently means it cannot be interesting.

Re: Reading actual books

[(Anonymous)]

It's interesting and great and I love it, and I will probably always love it. I just find it really weird to describe a book that was published 15 years ago a classic. Let a couple generations go, at least, before you describe something as a classic. You want to describe Tolkien as a classic? I'm down. When our grandkids are reading Harry Potter, I'll be comfortable describing it as a classic.

Re: Reading actual books

[bluepard]

Eh, fine, it's not a classic. My point was more that classics are remembered and become classics because they're popular. They're not just art, they're generally entertainment written for money. Shakespeare wrote to be friendly to a wide audience. He's got sex jokes and jokes about public figures and melodrama! And the crowds ate it up. His stuff was plagiarized all over the place.

Classics aren't something read solely by maladjusted people trying to prove something. They're actually usually interesting for some reason, which is how they got to be classics.

Re: Reading actual books

[(Anonymous)]

Oh, sure, I totally agree. I mean, Samuel Johnson is as classical as anybody, and he was the guy who said that no one but a fool ever wrote except for money. I absolutely agree that there's nothing wrong with having a wide audience & that the contemporary prejudice against it is something born out of really specific and minute historical circumstances. But being popular doesn't prove that something's good anymore than it proves it's not good.