Case (
case) wrote in
fandomsecrets2013-02-17 03:55 pm
[ SECRET POST #2238 ]
⌈ Secret Post #2238 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 04 pages, 097 secrets from Secret Submission Post #320.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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Perhaps they just meant that they tried many "classical" books at some point and found them boring.
Also I'm ashamed to admit it, but I can't think of any classics that are "basically erotica" or "cheesy romance novels". Unless you classify Marquis de Sade as classic and erotica? ...Cheesy romance novels, though? "Cheesy" sounds like something really out of place here.
As I already told the anon below, I now think that the only category that actually excludes classics is the category of silly and cheesy literature that was purposefully created to be sold and forgotten. It does exist, though. And don't tell me that Conan Doyle wrote things for this reason: he sure did, but there are worse cases. Some people make teams of hack writers to do incredibly shitty novels under one nom de plume. These most certainly can't be good enough to enter history.
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It includes all kinds of sci-fi, erotica, bug-ass crazy rubbish, sensation novels never expected to outlive their financial use to their author, and lots and lots of cheese.
Glancing at the list and grabbing one at random - Lewis's The Monk is on there, a novel so full of hyperbollic gross-out sex and torture porn that the only way the author could up the ante again for the climax was to have the actual devil turn up and throw the antagonist around like a cartoon character.
I don't judge anyone for what they do or don't read, but I think the OP has a very narrow view of what constitutes "The Classics".
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Yes, that was my notion. OP probably uses the term in a somewhat narrow sense.
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I'd put most sensation fiction written in the 19th century in this category. So for example, No Name by Wilkie Collins where the protagonist is disinherited and goes about in masquerade in the household of the person does inherit. Or Lady Audley's Secret by Mary Elizabeth Braddon where George Talboys disappears. Who killed him? Is it Lady Audley? Is she mad? Who is she really? Oh, she's the wife George abandoned all those years ago who made her way up in the world, committed bigamy, and then tried to kill him when he figured out the secret. But it's okay; George just has amnesia from that conk on the head she gave him.
Or Ouida, who although she has fallen out of the canon, was one of the most widely read female authors of the 19th century and certainly one of the richest. Her novels are just an awesome, hot mess.
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I already surrendered myself to the anon below, so I can only give you a symbolical curl from my head or something.
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:)
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I would recommend that you start with her earlier works because they're hilarious. Moths is a great book, but it's a bit more heavy handed and didactic and lacks the ridiculous humor of her earlier works.
I'd start with Held in Bondage from the early 60s. The plot is so convoluted and LOL-arious and centered on romance. Strathmore is another good early one that features a homosocial relationship between the male protagonists, if that's something you like to read about in addition to the melodramatic plots. :)
Syrlin is a great one, too. It's very heavily dialogue driven book; lots of Wildean-esque quippery abounds. The topic is quite serious (the shift in English politics from a ruling aristocracy to a more democratic system), but it's handled quite deftly and interestingly IMHO. There's also some homosocial seduction going on here too and passionate artists!
Puck is a very, very funny book. It's told from the perspective of a Maltese dog (yes; a dog) who dishes all the dirt on his female owners over the years.
This is Ouida pictured in my icon.
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Oh, she sounds (and looks) awesome. Frankly, I'm not sure when I'll get my hands on her books; I have The Flying Inn coming, and right now I'm struggling to finish three books at the same time, all of which happen to be historical novels/memoirs. But I'm definitely putting her on my reading list somewhere after The Inn.
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I hope you enjoy reading her when you do get the time. :)
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(Anonymous) 2013-02-18 12:02 am (UTC)(link)Honestly. The closest thing I've ever seen to a modern TV soap opera is greek mythology. Or Shakespeare. Shakespeare was pretty damn soapy. Though, yes, Austen also has a lot to answer for.
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I do think that Victorian sensation literature more closely resembles modern soaps than earlier mythological sources, but I'm all about reading and enjoying All the Things.
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(Anonymous) 2013-02-18 12:12 am (UTC)(link)no subject
I quite like Heliodorus' Ethiopian Tale because the female lead is awesome but unfortunately the treatment of Ethiopian characters is... questionable. :/
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(Anonymous) 2013-02-18 12:34 am (UTC)(link)no subject
(Anonymous) 2013-02-18 05:37 am (UTC)(link)no subject
(Anonymous) 2013-02-17 11:23 pm (UTC)(link)Again, if OP just doesn't like to read, or only reads very specific things like fanfic, fine. But the way the secret is phrased makes it sound like this person generally likes to read, but refuses to read classics (despite "not having read them" - so they can't have read that many classics and disliked them). And that's just a really weird distinction to make.
OMG OK I SURRENDER
I still think that the theory of silly&thoughtless literature was sort of plausible and that it could be that OP tried these books but gave up.
I definitely agree on Jane Austen's works. And Zola is just creepy.
Re: OMG OK I SURRENDER
(Anonymous) 2013-02-18 04:04 am (UTC)(link)