[ SECRET POST #2241 ]

[case]

⌈ Secret Post #2241 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


__________________________________________________



02.


__________________________________________________



03.


__________________________________________________



04.


__________________________________________________



05.


__________________________________________________



06.


__________________________________________________



07.


__________________________________________________



08. removed!


__________________________________________________



09.


__________________________________________________



10.


__________________________________________________



11.


__________________________________________________



12.


__________________________________________________



13.


__________________________________________________



14.


__________________________________________________



15.


__________________________________________________



16.


__________________________________________________















Notes:

Secrets Left to Post: 02 pages, 042 secrets from Secret Submission Post #320.
Secrets Not Posted: [ 0 - broken links ], [ 1 (minorly sexual, illustrated) - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[tenlittlebullets]

Repeating this so it doesn't get buried in a subthread: the cast recording was 90 minutes. The original French musical itself was about two and a half hours long, not counting intermission, and structurally very similar to the English adaptation. (The cast recording jumbles the song order; One Day More wasn't actually smack in the middle of Act II.) If you leave aside the addition of a 20-minute prologue, more material was cut than added.

Not that I'm defending Turning; Cameron Mackintosh has admitted it's only in there to justify paying the female ensemble for sticking around through the second act.