[ SECRET POST #2316 ]

[case]

⌈ Secret Post #2316 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02.
[Band of Brothers]


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03.
[Princess Princess]


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04.
[Once Upon a Time]


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05.
[Doctor Who]


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06.
[toby turner/tobuscus/tobygames]


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07.
[Common Law]


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08.
[James May's Man Lab]


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09.
[The Enigma of Amigara Fault]


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10.
[Mad Men]


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11.
[Lost Girl]


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12.
[Twilight]


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13.
[Monsters Inc]


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14.
[Archer]


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15.
[Super Junior / Infinite]


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Notes:

Secrets Left to Post: 03 pages, 062 secrets from Secret Submission Post #331.
Secrets Not Posted: [ 1 2 - broken links ], [ 1 (???) - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ], [ 2 - empty comments ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

Reading this post reminds me of how American horror films nowadays need "explanations" for everything whereas foreign horror films are just batshit crazy just because.

[visp]

Yeah, kinda. I mean, this isn't exactly a favorite of mine, but I felt it was all clear enough. There something weird that fucks with certain people's minds and draws them to the holes, where they suffer horrific worse-than-death. That's easily understandable. Why it happens and how it works is unknown, but that doesn't have to be understood, because a part of the horror is not knowing why. Eldritch horrors aren't meant to sit down and give interviews on their motivations and processes.

[ketita]

Now I want an interview show with eldritch horrors.

[darkmanifest]

Horror books, too. The explanations often ruin the horror for me, because they're usually not as bad as what my imagination comes up with. I'm willing to accept that a reason for everything that happens in the story exists without actually needing to know, word for word, what it is. Hints and implications are all I need to fuel my dread.