[ SECRET POST #2320 ]

[case]

⌈ Secret Post #2320 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01. [removed on request of author]


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02.


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03.


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04.



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05. [repeat]


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06.


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07.


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[ ----- SPOILERY SECRETS AHEAD ------ ]












08. [SPOILERS for Iron Man 3]



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09. [SPOILERS for Fire Emblem: Awakening]



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10. [SPOILERS for Superman (1978)]



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[ ----- TRIGGERY SECRETS AHEAD ------ ]













11. [WARNING for rape and abuse]



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12. [SPOILERS for The Borgias]
[WARNING for incest]



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13. [WARNING for suicide]

[Gay Purr-ee]


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Notes:

Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #331.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ], [ 1 2 - ships it ], [ 1 - posted twice ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I disagree. Using foreing languages, when used well, add another dimension to a narrative.

Of course, it must be justified, but when it does, I enjoy those bits inmensely. One of my favorite novels have a chapter playing with three or four different languages, and every one of them said a lot about the characters, their background and their intentions. I really liked that, even if I could only understand two of those languages.

But of course, the writer must do a lot of research to use this effectively and not ending looking like a fool.