[ SECRET POST #2488 ]

[case]

⌈ Secret Post #2488 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02.


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03.
[Sherlock/Irene Adler]


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04.
[Twin Peaks]


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05.
[Kick-Ass 2]


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06.


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07.


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08.


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09.


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[ ----- SPOILERY SECRETS AHEAD ----- ]

















10. [SPOILERS for Supernatural]



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[ ----- TRIGGERY SECRETS AHEAD ----- ]

















11. [WARNING for rape]

[Dramatical Murder]


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12. [WARNING for child abuse]
[tb]
[Bully]


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13. [WARNING for child abuse]



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Notes:

Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #355.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

Re: SUDDENLY A WILD SIBLING APPEARS

[caffeine_buzz]

Depends on how it's handled. If it's properly foreshadowed and makes sense in context I don't mind it (like if the siblings remember each other and whichever one is the focus character occasionally mentions bits about the sibling they lost or having weird memories about someone they think they once knew, etc. stuff like that ), but if it just comes out of nowhere "Oh hi I'm your long lost sister you never knew you had let's be best friends and hey look now I'm a main character too" I don't like it. It just feels too...Mary Sue-ish (even if the character themselves is not a Mary Sue), like the writer needs a reason for this shiny new character to be important and relevant so hey, look, long lost sibling.