Case (
case) wrote in
fandomsecrets2015-03-01 03:47 pm
[ SECRET POST #2979 ]
⌈ Secret Post #2979 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 04 pages, 091 secrets from Secret Submission Post #426.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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(Anonymous) 2015-03-01 09:03 pm (UTC)(link)no subject
(Anonymous) 2015-03-01 09:06 pm (UTC)(link)no subject
Like the whole ~seemingly random~ interruption of dialog at a crucial moment is simply a way to drag out whatever mystery reveal the writers have in mind until later in the episode or whatever.
And of course, some camera angles, such as across-the shoulder shots of car drivers or passengers.
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If you see someone going from point A to point B instead of simply cutting to the part where they're already there, it's always a bad sign.
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(Anonymous) 2015-03-02 01:55 am (UTC)(link)no subject
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(Anonymous) 2015-03-01 09:41 pm (UTC)(link)no subject
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Transcript
(Anonymous) 2015-03-01 10:19 pm (UTC)(link)Text: whenever I see this camera angle in a car, I automatically assume that the car is about to be t-boned. It always makes me tense.
Too many/movies/shows/music videos has conditioned this response in me.
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Also a trip down memory lane to the beginning of storytelling in film, and how that wasn't pretty, and how far we have gotten since then!
But Secret Maker I know how you feel, some story telling cues in film are used so much that you expect something to happen, this is usually the moment when someone comes in and turn the trope on its head.
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(Anonymous) 2015-03-02 02:33 am (UTC)(link)Me too.
(Anonymous) 2015-03-02 03:42 am (UTC)(link)