Case (
case) wrote in
fandomsecrets2015-06-06 04:20 pm
[ SECRET POST #3076 ]
⌈ Secret Post #3076 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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17. [WARNING for rape/sexual abuse]

Notes:
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Secrets Not Posted: [ 0 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
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(Anonymous) 2015-06-06 10:21 pm (UTC)(link)Y'know, to make them 100% relatable and human. /sarcasm
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(Anonymous) 2015-06-06 11:37 pm (UTC)(link)I really wish the "any female charcter who shows any emotion is totally weak and sexist!"
mindset would just go away.
(see: the overreaction of Natasha's portrayal in aou.)
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(Anonymous) 2015-06-07 01:43 am (UTC)(link)no subject
(Anonymous) 2015-06-07 03:29 am (UTC)(link)no subject
(Anonymous) 2015-06-07 04:19 am (UTC)(link)Female characters are viewed with a more critical eye than male characters, just as women are viewed with a more critical eye than men. So writers end up writing "perfect" female characters, because if she weren't perfect she'd be criticized for every single flaw that people would let slide or find endearing in a male character.
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(Anonymous) 2015-06-07 06:32 am (UTC)(link)I really don't think women are viewed more critically than men on the whole. It depends on the context of who is benefited more, men or women. There's sexism in both directions.
I think it's mostly women who are the most critical of female characters. I think there are plenty of well written, realistic, human female characters that both men and women can relate to. But they are way more quick to find fault in them than any male geek or nerd I've met or talked to about a piece of media. Or hell, even if my high school English class. I remember this one girl went off about Daisy from The Great Gatsby and how much she hated her. It was the most passionate she ever got in class.
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(Anonymous) 2015-06-07 09:20 am (UTC)(link)"I think it's mostly women who are the most critical of female characters."
This is so true. The women I've seen be the loudest about bashing female characters they don't like are the ones who are also the loudest about how feminist they are for doing so.
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(Anonymous) 2015-06-07 11:09 am (UTC)(link)Perhaps because men are perfectly happy to have women in eye-candy, objectifying, useless positions?
That's like saying portrayals of black or Asian or whatever characters are fine, because really it's only those minorities claiming that it's racist. All the white people think it's fine, therefore, not a problem.
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(Anonymous) 2015-06-07 05:02 pm (UTC)(link)And "all the white people?" I think minorities should have more representation in media and I'm white. So by your logic am I truly not white or are there white individuals who recognize that representation is important?
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(Anonymous) 2015-06-07 04:55 pm (UTC)(link)Yep, yep. Most people who claim the term feminist now can't just take female characters in characters' terms and context. She needs to fit into their box of what a "strong" female character is, otherwise she's the worst character to ever exist. Heaven forbid that there's more than one way to be a strong woman in fiction or in real life for them.
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(Anonymous) 2015-06-07 09:07 pm (UTC)(link)1) Movies and other pieces of fiction written by men often only feature one major female character (or maybe two if you're lucky). When there's only one female character, she becomes a Representative of Femaleness. So when she's weak, when she fails, when she's stereotypically feminine in any way, it feels (more than usual) like a confirmation of the story that all/most women are weak, incompetent, or are naturally domestic/child-loving/motherly/etc., a story which hits a sensitive nerve with female viewers. How many books or movies can you think of where there was only one or two male characters with a speaking role, and it was written by a woman? How would that affect your analysis of what you believe that writer thinks of all/most men?
I think a lot of problems would be solved by making casts 50/50 men and women. This is extremely rare. Even random side characters tend to be default male. My point here is that the gender makeup of stories being told in the media is NOT balanced male/female, so I would be very surprised if the critical analysis wasn't gender-skewed as well. When there's only one female character, she has to be perfect or she becomes a lightning rod for criticism, mostly from women because...
2) Similar to what a poster downthread mentioned, men and women have different criteria for analyzing female characters. For men, I think it's enough to have a female character who is interesting, funny, has her moments to shine, looks pretty, and has an appealing personality. For women, because they are concerned with how their gender is portrayed or handled in various media, they have a lot more concerns about fictional women other than whether she's likable. Things they might be looking for include, is this character developed enough for me to identify with her? Is this character important enough in the film to have her own goals or influence the story by decisions she makes? Does she actually have an identifiable personality, or is she just generically a Suitable Love Interest? Is she sexualized for gratuitous reasons? It's easy for men to be nonchalant about portrayals of women, because they don't experience the direct negative experiences resulting from those portrayals. So yeah, like below poster said, the people who have the most stake in the portrayals are going to be the most critical of them. (Sidenote: I think there are even male portrayals that I as a woman have particular issue with because of they implication they have for women. One I can think of is the "socially awkward tech genius" stereotype featured in so many recent movies and TV shows. This makes it really hard for social, friendly women in tech to be taken seriously because they MUST lack skills. :/ And makes it so girls are turned off by tech fields because they think their colleagues will be like that. I and people I know have to live with this effect, which makes it much harder to tolerate when I see it being played out in fiction.)
I do agree that a lot of feminist criticism is literally a double-bind. For example, if you have an "unconventional" female character (for example, a weirdo like Allison in The Breakfast Club) who gets a love interest, then you're opening yourself up to criticism along the lines of "Are you saying all women need love to be fulfilled?? I related to her, and I find the romance plotline completely unnecessary and forced." If you don't give the unconventional female character a love interest, then you're opening yourself up to criticism of the type, "Are you saying outcasts like her are undeserving of love?? Good to know your definitions of attractiveness are so narrow." Sometimes it's no-win, and different people come to different conclusions, making feminism look like a never-happy monster that criticizes characters for daring to have flaws. I don't disagree with that, but I do think the solution is clear (make roughly half of the roles female). The complaints will go away.
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(Anonymous) 2015-06-07 03:21 am (UTC)(link)Really there's no type of female character that ever satisfies them. If she's too womanly and has desires of a home, spouse, and children it's a "real women don't wear dresses situation." She's a betrayer to women for wanting traditional things! Patriarchy! You honestly can't win with with them. They only want censorship of things they thing "trigger" them, not creative story telling.
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(Anonymous) 2015-06-07 05:46 am (UTC)(link)