[ SECRET POST #5601 ]

[case]

⌈ Secret Post #5601 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


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Notes:

Secrets Left to Post: 02 pages, 48 secrets from Secret Submission Post #802.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[hey_hey_hey]

Most multi-camera sitcoms use a mix of live audiences and laugh tracks (aka sweetening). It's a slight pet peeve when people assume sitcoms are only using laugh tracks when it was mostly single cam comedies that used them (think Andy Griffith Show, Brady Bunch and MASH).

[(Anonymous)]

I mostly assume when people talk about "laugh tracks" they're including both canned laughter and live studio audience reaction, even though it's not technically accurate

[greghousesgf]

CBS made the MASH producers and directors use a laugh track, they didn't want to use it. Plus it sounded really fakie, especially that weird "wooooooo" sound.

[(Anonymous)]

Yeah. And I personally find it pretty annoying when people complain about laugh tracks when it’s either obviously a studio audience, or they could at least look up whether it was or not before complaining. Even though I personally don’t mind laugh tracks, I get why people don’t like them, and why they feel like it’s a cheap and stupid cue to try to tell people to laugh at a bad joke they otherwise wouldn’t. That’s manipulative, and won’t work. But when people say that about a show with an actual studio audience, it’s like, no these are real people laughing. Not a canned sound.