Case (
case) wrote in
fandomsecrets2024-06-02 04:19 pm
[ SECRET POST #6358 ]
⌈ Secret Post #6358 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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[12 Monkeys (series)]
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Notes:
Secrets Left to Post: 02 pages, 32 secrets from Secret Submission Post #909.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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(Anonymous) 2024-06-02 08:59 pm (UTC)(link)I had absolutely no idea there was a third movie. The first was fun, the second was disappointing, and the third I didn't even know about. I don't have high hopes for a fourth.
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(Anonymous) 2024-06-02 09:13 pm (UTC)(link)I do wonder why modern studios seem to be so bad at making this kind of movie. I guess it's because there aren't really directors and writers who organically like this kind of material anymore? Most new writers and directors coming up are either clued-up ironic hipsters or nasty intense horror/thriller writers. The kind of 90s historical adventure we saw doesn't seem to be in the wheelhouse of creatives at the moment. And of course the way that people use CGI is bad and the production process for most big budget movies seems to be a shitshow which doesn't help.
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(Anonymous) 2024-06-02 11:34 pm (UTC)(link)no subject
(Granted, the 1999 Mummy was a pretty big risk at a $80 million budget. But even with inflation, $175 million for the third movie was a big jump.)
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(Anonymous) 2024-06-03 01:19 am (UTC)(link)IDK. I think, for example, that letting Denis Villeneuve do Dune was a comparable risk to The Mummy all things considered (on the one hand Villeneuve had a stronger box office track record than Stephen Sommers; on the other hand Dune 1984 was more or less a bomb so the property was riskier; probably a wash between the two things). It's certainly more *rare* nowadays to take risks like that, but it does happen.
The difference is that Villeneuve has a different style and different interests creatively than Sommers. So both of them IMO made very good movies; it's just that the style of the movies is different. Villeneuve wants to do big ambitious epic-scale sci-fi, that's the scope of his work. And apparently no competent creators working in Hollywood have the taste and aesthetic for the kind of organic historical adventures that we got in the 90s. Or, similarly, the kind of organic live-action cartoon movies we saw during the same period.
So, IDK. It just seems like it's a shift in cultural taste as much as anything else. I do think some of it is Hollywood getting worse at making interesting pictures but definitely not all of it.
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(Anonymous) 2024-06-02 10:39 pm (UTC)(link)no subject
(Anonymous) 2024-06-03 03:25 am (UTC)(link)no subject
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(Anonymous) 2024-06-03 04:34 pm (UTC)(link)no subject
(Anonymous) 2024-06-03 05:45 am (UTC)(link)There have been a lot of beloved things that have returned in one way or another and all I got out of them was that time has changed.
It feels more exciting to re-watch the original The Mummy than to watch a new sequel/reboot/IDEK.
Invest in adverts/promos for special re-releases in theatres more!
I often forget a lot of theatres do re-releases of some old classics (I went to a 25th anniversary screening for The Nightmare Before Christmas; my best friend and I went to the theatres when Beauty and the Beast was re-released with the 3D gimmick, I didn't care too much about the 3D effects, I just wanted to see Beauty and the Beast in theatres again; recently saw that Alamo Drafthouse was rereleasing some 90s classics).