[ SECRET POST #6951 ]

[case]

⌈ Secret Post #6951 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


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03.
[Bridgerton]



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08. [SPOILERS for My Little Pony: Friendship is Magic]




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09. [WARNING for discussion of domestic violence/abuse]




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10. [WARNING for discussion of IRL death, murder, mental illness, addiction]




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11. [WARNING for discussion of sexual assault/PTSD]


























Notes:

Secrets Left to Post: 00 pages, 00 secrets from Secret Submission Post #992.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I remember 1993 being a great year for music, and it was, but not up the top end of the charts in the UK it seems. Killing in the Name! All That She Wants! Creep! Human Behaviour! Detachable Penis! November Rain!

https://en.wikipedia.org/wiki/Triple_J_Hottest_100,_1993

It was also the first year of the Triple J Hottest 100, and that's a far better list of songs.

[(Anonymous)]

this is an amazing example of what I try to explain to the younguns, re: national, regional, and local charts. In the 90s Billboard and all the other charting agencies by country or region still had pull. A station like this, charting in Australia, would have had so much regional influence on national charts to the point of swaying national charting numbers. I worked for US stations that had regional charting sway due to market shares. How charts worked from the 1970s into early 2000s is one of my passions to share, thanks for pointing out that it was the same regardless of country.

[(Anonymous)]

Infooooormer! Yenughsobulaidrbuhelabegehpleghhh*!

A licky boom boom down!



*Obviously not the lyric. That's just how it sounds