Case (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
case) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
fandomsecrets2013-02-02 03:08 pm
case) wrote in fandomsecrets2013-02-02 03:08 pm
[ SECRET POST #2223 ]
⌈ Secret Post #2223 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 06 pages, 127 secrets from Secret Submission Post #318.
Secrets Not Posted: [ 0 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
no subject
But from an animation standpoint, they were doing some seriously bold stuff. Not just, y'know, because they had way-too-raunchy toilet humor. They didn't have set character models like most shows, they weren't trying to have that on-model look that defines a lot of animation. Everything would be drawn new and over-the-top each time. They would throw in those random gross-out-close-ups, and they'd be, y'know, these really well-rendered paintings, for pity's sake.
I really do miss seeing at least a few good action cartoons where people were drawn like people, say, like Gargoyles or even DCAU (though that was more stylized). But I have to applaud shows like Chowder or Flapjack where they went out of their way to use any sort of medium they could find, just to see if they could--puppets, painting, food...whatever. It's fascinating to see what they do.