case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2013-03-31 03:11 pm

[ SECRET POST #2280 ]


⌈ Secret Post #2280 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 04 pages, 080 secrets from Secret Submission Post #326.
Secrets Not Posted: [ 0 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
mekkio: (Default)

[personal profile] mekkio 2013-03-31 08:18 pm (UTC)(link)
The sad thing is when writers do pander to the audience rather than sticking to their show's themes and storylines, the show ALWAYS suffers. It happened on Heroes when the writers listened to the fans and kept on bringing back Sylar no matter if it made sense. They did it on LOST and made the show end on the love triangle relationships rather than solving the mysteries. They did it Fringe because they changed that show so many times to fit the moods of the audience that I gave up by season three because it was nothing like the show that I started with.
deadtree: (Default)

[personal profile] deadtree 2013-03-31 09:01 pm (UTC)(link)
ia, writers should try to write in a vacuum as often as possible. Fans are fickle, so they need to stick to their guns. Further, people often don't want the things that they think they want. The buildup and the *possibility* of romance is more interesting than the romance itself (usually). Plus the moment characters pair up I get wary, because one of them is now doomed. Or both. Because happily ever after doesn't work in the middle of a show.