Case (
case) wrote in
fandomsecrets2014-03-26 06:42 pm
[ SECRET POST #2640 ]
⌈ Secret Post #2640 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 02 pages, 031 secrets from Secret Submission Post #377.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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(Anonymous) 2014-03-27 12:04 am (UTC)(link)no subject
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(Anonymous) 2014-03-27 12:16 am (UTC)(link)It's insulting to the original character (that's my problem with BBC Sherlock), but like it or lump it, in-universe BBC Sherlock is "a high-functioning sociopath" and Moffat said in earlier interview this was, indeed the case, and he (Moffat) thought the same of ACD's character as well.
If Moffat has changed his tune since, maybe some of the ACD purists got through to him, IDK. I think the likelihood is higher that he will say what he thinks the vocal part of the fandom wants to hear. Thus, we have series 3.
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(Anonymous) 2014-03-27 12:35 am (UTC)(link)Ugh. Fuck Moffat.
found the quote!
http://www.tor.com/blogs/2014/01/sherlocks-best-man-speech-is-basically-fanfic-moffat-says-hes-absolutely-not-a-sociopath
Re: found the quote!
(Anonymous) 2014-03-27 01:01 am (UTC)(link)Well, that's just charming. IIRC, it was one of the behind-the-scenes shows or the DVD extras, for series 2, where Moffat basically says "He's such a psychopath/so focused on his work!" with inordinate glee.
Like I said, it sounds to me like Moffat says whatever he thinks the fandom wants to hear.
Re: found the quote!
Re: found the quote!
(Anonymous) 2014-03-27 01:40 am (UTC)(link)Meh, maybe. I don't really care either way, but I don't really pay any of it much attention anymore. *shrug* Other than the bit where Moffat changes tracks, like I said, or a better example, when A Study in Pink aired, the interviews were all about the canon and how faithful they wanted to be to the canon, then by the time A Scandal in Belgravia rolled around, Moffat was suddenly talking about Basil Rathbone's movies, and how they wanted to do a pastiche in the same style.
Plus, there was the whole lies and obfuscation thing around the DW 50th.