Case (
case) wrote in
fandomsecrets2013-08-31 03:28 pm
[ SECRET POST #2433 ]
⌈ Secret Post #2433 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 03 pages, 073 secrets from Secret Submission Post #348.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 1 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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(Anonymous) 2013-08-31 08:05 pm (UTC)(link)I think many people gloss over the problems with the episodes because the last one in the season is always amazing.
Don't try to make sense of it. Forget it, dude, it's fandom.
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(Anonymous) 2013-08-31 08:10 pm (UTC)(link)*shrugs* To each their own.
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That being said, it is obviously possible to compare series to each other (which, I assume, you do) rather than view them in a broader context.
For me this is the reason to consider Sherlock a high-quality production - there are obvious plotline flaws, sometimes outright stupidity, and weird character cliches; in a nutshell, it is genuinely mediocre; but when I take the fact that it is a non-screen version!TV series (non-literal screen version, that is) into account, I acknowledge that there aren't many works of its kind that are better made.
MTE on Cumberbatch, though. He's decent, sure, but I just cannot be bothered to think anything other than "this performance is OK".
Also, the major part of the hype is due to sexy white men, epic friendship, and popular 'socipathy' and other nonconformist trends.
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(Anonymous) 2013-08-31 08:57 pm (UTC)(link)Well, there's Breaking Bad.
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(Anonymous) 2013-08-31 09:40 pm (UTC)(link)This is not true.
It's absolutely true that television is a commercial thing, and that television shows are aired (for the most part, although not entirely) for commercial reasons. But being commercial does not mean that something cannot be high art. If it is true that most TV is created to get viewers and make money, it is not significantly different in that respect from most of the most well-known works of art of the last century. What do you think the people who published Hemingway and Fitzgerald, or JD Salinger, or the people who made The Godfather were thinking, except that they wanted to make profit - and all of those things were enormously popular and successful and profitable, in addition to being really good.
The thing is that just because something is intended to find viewers and make a profit does not mean that it must necessarily pander to the lowest common denominator and be full of cliches and lazy etc. It's perfectly possible for the people making the show to have a different intent than the people publishing the show and to want to make art even if at the same time the finance guys want to make gobs of money, and it's completely possible for someone to attempt to go after niche markets who care about quality or to have a business model for TV different from pushing advertisements to the most viewers possible.
And if we look at the last 15, 20, 25 years, we see that this is in fact the case and is becoming more and more the case. It's even true on basic cable, where you can have stuff like David Milch working on NYPD Blue and you can have Hill Street Blues and you can have fucking David Lynch making Twin Peaks and you can have comedy shows like The Simpsons and Seinfeld, but it's especially true outside of broadcast.
Look at HBO if you want an example - they are a subscriber service, rather than advertisement funded free TV. Look at premium cable channels like FX and AMC, who basically make their money from cable providers as much as from ads. These are not business models that necessarily need to focus on the lowest common denominator - and in fact, they don't. These channels have all realized that as long as they can do really well with some people, they don't need everybody, and that has spurred them on to make legitimate, uncompromised quality programming. The Sopranos, Breaking Bad, The Wire, Deadwood - you may not like these shows, but the idea that they are unserious, or that they are fatally compromised by the commercialistic intent behind them, is totally wrong. The people making these shows are people who are interested in making great work and they are being given the freedom to do it. Again, whatever you think of the outcome, but there is absolutely nothing stopping people from attempting to make high art, and even having it run for a long time.
I'm sorry I just wrote like a million words but, I mean, come on. I honestly don't understand how someone can look at the past 20 years and look at the extremely interesting developments in television and still say this kind of thing.
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(Anonymous) 2013-08-31 09:03 pm (UTC)(link)I have a soft spot for the show because it's what finally got me to read the Canon (it was always on my "to read" list, but I finally READ IT). And I do think Benedict is a great actor, but talent is arbitrary. What's AWESOME in one person's eyes may be MEH or EW to another.
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I think Sherlock is okay. Not amazing, not bad, just okay.
Bonus secret: I also think Benedict Cumberbatch is an average actor.
I don't get the hype. Am I missing something? [displeased face emoticon]
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(Anonymous) 2013-08-31 10:39 pm (UTC)(link)/another person who just cannot make herself care or be interested. It's like football, it's such a noninterest for me that it's painful to sit there and try to focus on it.
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Neither the show nor Benedict's acting really blew me away.
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(Anonymous) 2013-08-31 11:18 pm (UTC)(link)His Sherlock is a painful study in severe overacting.
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Anyway, I watch a show called Lestrade, it's only 5 ten to twenty minute episodes and it is awesome.
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