Case (
case) wrote in
fandomsecrets2012-01-13 07:20 pm
[ SECRET POST #1837 ]
⌈ Secret Post #1837 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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02. [broken link]
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03.

[Robin Of Sherwood/Michael Praed]
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04.

[Glee]
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[We Got Married - Ga In (Brown Eyed Girls)/Jo Kwon (2AM)]
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07.

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[Buzz Lightyear of Star Command]
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09. http://i.imgur.com/8DbqS.png
[linked for nudity/kind of porny]
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[Josh Groban and Andrea Bocelli]
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[Beast Wars, Megatron]
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12.

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13.

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[Magic Mike]
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16. [repeat]
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[Harry Potter & Little House on the Prairie]
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18.

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20.

[X-Men: First Class]
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[Death Note]
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[ ----- SPOILERY SECRETS AHEAD ----- ]
25. [SPOILERS for something, OP did not specify]

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26. [SPOILERS for Vampire Hunter D]

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27. [SPOILERS for Christmas Doctor Who and New Year's Sherlock]

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[ ----- TRIGGERY SECRETS AHEAD ----- ]
28. [TRIGGER WARNING for rape]
[SPOILERS for Loveless]

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29. [TRIGGER WARNING for abuse]

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30. [TRIGGER WARNING for rape]

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31. [TRIGGER WARNING for rape, animal cruelty]

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Notes:
Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #262.
Secrets Not Posted: [ 1 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 1 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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http://i43.tinypic.com/351bl2d.jpg
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(Anonymous) 2012-01-14 12:37 am (UTC)(link)no subject
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Still, I'm going to hang back with some popcorn and watch this thread go nuts.
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(Anonymous) 2012-01-14 02:49 pm (UTC)(link)(no subject)
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It's not like she was canonically gay and they wanted to play with that--Moffat MADE her a lesbian, then had her chasing after Sherlock for the whole fucking episode.
E.T.A.: And having her be a lesbian for that one scene with John (I'm not gay" "I am. But here we are")... sorry, not worth it.
but as long as they're going there; are we going to get to see John and Sherlock holding hands in front of the fire? Seems only fair...(no subject)
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But I'd still pick Moffat over RTD. It's sort of the lesser of two evils, but a lot of people probably don't see it that way. They just see what ridiculous, over the top, incoherent, often masturbatory stuff RTD put out, and react twice as happy for the breathe of cool, fresh, sane air that is Moffat. The moment at the end of the most recent Christmas special, where the Doctor wipes his eyes and smiles, but doesn't repeat the whole "human's crying, lol" line is a perfect example. He isn't beating the audience over the head with that any more. He lets you connect the dots. Compare that to David Tennant bawling like an immature baby during his regeneration going, "I DUN WANNA LEAVE" AFTER we've had like a twenty minute segment of him tearfully saying goodbye to every companion he ever had (something that has never been done for any Doctor ever). We get it.
RTDThe Doctor doesn't want to leave. You don't need to beat us over the head with it for two hours...But hey, those are just, like my thoughts, man. Believe what you want.
(I agree that Moffat needs some help on writing characters, but most of his stories are okay.)
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+1
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(Anonymous) 2012-01-14 12:58 am (UTC)(link)no subject
And Mothership. YOUR PUN IS SO BAD. Crying rn tbh.
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I knew he was going to screw up Adler. He has such a problem writing for strong women, he seems to trip over himself in his sheer excitement over how amazing they are.
I thought Adler being a lesbian was actually a brilliant twist... until she spent most of the episode giggling like a schoolgirl after the very male Sherlock. So being a lesbian was for shock value? For fanservice? Why bother putting it in if you're not going to stick to it?
I just find it annoying is how no modern adaptation has her husband.
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Personally, ITA that his plots are pretty suspect. Moffat tends to go for ~flashy~ plot twists over actually having his plots make any sense. I mean, even in series 5, that crack made no sense. Over and over again the plot tells us that falling into the crack means that a person is erased from time and history. But then the Doctor goes into the crack (which as we saw in "Turn Left") should have had a HUGE impact on the history of Earth, but... apparently not. And of course, series 6 was a huge mess of non-sense making complicated plots. A lot of times it feels like Moffat just makes his plots super complicated in hopes that no one will be able to figure out what is actually happening and thus they won't notice that none of it makes any sense.
I've posted this here before but I think it's worth posting again.
And yes, his character writing is pretty awful. Neither Amy nor Rory reacted in a believable way to losing their baby. He basically writes his characters to fit the plot. Like at the end of "Day of the Moon" where the Doctor actually says, "So, this little girl, it's all about her. Who was she? Or we could just go off and have some adventures. Anyone in the mood for adventures? I am. You only live once." So the Doctor, who in 5x02 a huge deal was made out of how he can't bear to see children cry, is just going to abandon that lost little girl so he can go have adventures. LOL OK. NICE CONSISTENT CHARACTERIZATION THERE. But see, Moffat HAD to write the Doctor OOC because if the Doctor found the little girl then we couldn't have had the hot mess that was "Let's Kill Hitler". And then Moffat has to have River be like "oh yes! I lie all the time!" in order to retcon past episodes to have them make any sort of sense. Well... ok then. It's just shoddy writing all around.
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(Anonymous) 2012-01-14 01:31 am (UTC)(link)And I don't think this is an unpopular opinion, at all. I find more people who don't like Moffat's writing than people who do like it.
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(Anonymous) 2012-01-14 01:40 am (UTC)(link)what part of the fandom are you in OP?
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Moffat, imo, has interesting and mighty cool concepts, but he executes and expands them terribly. Same with his characters; fun to consider, but frustrating to think about. I think he works better in small doses, episodic doses, so he has less time to fuck everything up with a lengthy, nonsensical arc full of inconsistencies. I love the way he writes dialogue, and there's always these neat nuggets of characterization, but he ALWAYS sprays a can of stupid all over it.
Just. AUGH. Irene really disappointed me :( She's basically like the worst version, and out really irks me that Moffat went around talking about how other adaptations never get her right, but then he goes and not only gets her wrong, he gets the whole point of the original story wrong. It's like reading his personal "how it should have ended" fan fiction.
:(
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(Anonymous) 2012-01-14 02:35 am (UTC)(link)I, for example, thinks he's great with plotting, does wonderful characterisation, and most definitely don't reduce women to their genitals. I definitely disagree with your reading of Irene, and think you're the one who missed the point of her character.
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(Anonymous) 2012-01-14 03:41 am (UTC)(link)no subject
You have some good points, but don't excuse bisexualism.
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Fuck Moffat and his horrible, misogynistic, badly-written crap.
Seriously, I hate him. He ruins everything he touches, for me at least. He's driven DW into the ground to the point where I don't want to watch it anymore, and IMO "A Scandal in Bohemia" was the absolute worst Sherlock episode yet. Yes, even worse than "The Blind Banker." AUGH.
He's such a misogynistic pig. And as of that Sherlock ep, has added homophobia (again, actually, come to think of it - his "all women just want to find a man and get married!" schtick is pretty homophobic, too) to his repertoire. Lovely. I hate him so much. Not to mention he's an awful writer who couldn't plot his way out of a paper bag, but hey.
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(Anonymous) 2012-01-14 05:09 am (UTC)(link)no subject
*is bisexual*
*FUCKING FREAKED OUT with happiness over Irene fucking badass Adler in A Scandal in Bohemia*
*WILL get dogpiled if I talk about this more here*
though yeah, I'm not in Who fandom but I have friends that are, and Moffat's been catching shit for the way he writes women LIKE ALL OVER THERE, dude.
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