Case (
case) wrote in
fandomsecrets2012-11-03 02:59 pm
[ SECRET POST #2132 ]
⌈ Secret Post #2132 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 04 pages, 100 secrets from Secret Submission Post #305.
Secrets Not Posted: [ 0 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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(Anonymous) 2012-11-03 07:11 pm (UTC)(link)no subject
(Anonymous) 2012-11-03 07:16 pm (UTC)(link)Everyone has different opinions, and that's okay.
Though, I have to wonder, is the "Ghibli's films weird endings" a cultural thing? Because a lot of his stories deal with Shintoism/Japanese mythology/concepts that can weird out western audiences (the idea of Kami, for instance). Did works like Whisper of the Heart/The Cat Returns also weird you out? (If you've seen them.)
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(Anonymous) 2012-11-03 07:17 pm (UTC)(link)We must have had deeply different childhood experiences because for me being a kid was endlessly weird, and that is why I find Ghibli films so affective. Not weird in a consistently traumatic or nonsensical way - just like the films - but just full of incomplete understandings and familiar things alternating with things that were totally mystifying. That is why I love Ghibli films - is that kind of "weird" realy absent from Shinkai's films?
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(Anonymous) 2012-11-03 07:25 pm (UTC)(link)(no subject)
OP
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Haven't seen any of Shinkai's work, but from browsing the plot synopses they seem awfully mushy. Confirm/deny?
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(Anonymous) 2012-11-03 07:56 pm (UTC)(link)/shrug
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(Anonymous) 2012-11-03 07:57 pm (UTC)(link)Concerning Ghibli: Princess Mononoke is the shit. Everything else mostly bored me.
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(Anonymous) 2012-11-03 07:58 pm (UTC)(link)However, as far as weird endings go - I think it's a matter of perspective.
I for one saw 'My Neighbor Totoro' when I was five years old, so I kind of just rolled with the 'weird endings'. It wasn't until I was older that I realized his movies dealt with political issues ( re: The idea of Pollution in Spirited Away - case & point - the River Spirit. ) & Buddhism/Shintoism.
That being said - I'd say Satoshi Kon's movies are the bread & butter of 'weird endings'. I mean, Hollywood did have to get permission to use scenes from two of his movies ( Perfect Blue & Paprika. )
TLDR; It's all subjective.
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(Anonymous) 2012-11-03 08:10 pm (UTC)(link)I've never seen any of Makoto Shinkai's movies but I do know plenty of Japanese directors who I like better.
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Sorry, I know this sounds kinda preachy. ;_;
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(Anonymous) 2012-11-03 08:35 pm (UTC)(link)To be honest, they both have their strong and weak points, and even then it really depends on your taste.
Makoto Shinkai makes pretty movies and it's visually impressing until you see how he drew characters in his oldest movies (eg: Voice of a distant star). That, I find jarring, but he improved a lot so that's nice.
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(Anonymous) 2012-11-03 08:37 pm (UTC)(link)What is Makoto bringing to me? Why is it better stories and artwork. I'm trying to be interested in both, but you've soured and confused me.
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it all comes down to ymmv and i would probably take more mamoru hosoda over them all any day. the girl who leapt through time and the old digimon movies will always be the loves of my life.
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Ghibli has always been hit and miss for me with story. Spirited Away and Princess Mononoke? I really liked. But Howel's Moving Castle and Ponyo? Eh, they were okay.
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(Anonymous) 2012-11-03 09:27 pm (UTC)(link)[But you're right about not wanting to mention this unanon - way too many people I know would hound me for this.]
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