Case (
case) wrote in
fandomsecrets2013-03-03 02:47 pm
[ SECRET POST #2252 ]
⌈ Secret Post #2252 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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[Billie Piper - Doctor Who/Secret Diary of a Call Girl]
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[Steam Powered Giraffe]
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[Teen Wolf]
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[Kuroko no Basket]
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[Princess Tutu]
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[Kuroshitsuji]
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[Queer as Folk]
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[The Reward]
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[Spartacus: War of the Damned]
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[The Following]
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[Les dossiers du Professeur Bell]
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[Misfits]
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[Saint's Row The Third]
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[Penn and Teller]
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[Harry Potter]
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Notes:
Secrets Left to Post: 04 pages, 093 secrets from Secret Submission Post #322.
Secrets Not Posted: [ 0 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 1 - too big ], [ 0 - repeat ], [ 1 - posted twice ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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[Harry Potter]
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I love Professor Mcgonagall but that scene in Deathly Hallows where she locks the Slytherin students up rubs be the wrong way. Most of them have probably done nothing, yet they are locked up in dungeons for no reason.
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(Anonymous) 2013-03-03 08:08 pm (UTC)(link)That said, I actually think that this aspect of things makes more sense than people give it credit for. I think people fail to realize the extent to which Slytherins, and the opinions and the political positions that Slytherins are linked to, are normalized in the world of Harry Potter as it's presented in the books. I mean, we really do see the books entirely from the perspective of one group of people, who are the hard-core, militant edge of the people opposed to the Slytherins. But wizarding society as a whole is pretty cool with racism and classism. It's much more willing to give status to Malfoy than to Weasley, it's perfectly content with Slytherin House. Its only problem with Voldemort was that he was insane and murderous, but his essential politics were not that far out of the mainstream. I mean, at the end of the day, wizarding society as presented in the books is astonishingly conservative and racist. People in wizarding society just don't really disagree with the Slytherin point of view, and so they view the existence of Slytherin House as non-problematic.
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You can excuse it as a "magic (the sorting hat) knows what they'll turn out like ahead of time" or something along those lines, but I don't buy it, even in a fantasy world.
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(Anonymous) 2013-03-03 08:28 pm (UTC)(link)Besides, the hat is magic. It doesn't place kids depending on their current selves, but on who they will ultimately become/who they really are deep-down inside. At least, that's how I always saw it, and it makes the most sense to me.
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That is, while IRL the Houses would be fifty shades of not okay, in-universe they're perceived as normal, and so I see them the same way. I think I tend to blend with the author's point of view while reading books.
Some things bother me, of course, yet I can find no obvious criterion which would help to distinguish all the ideas acceptable from all the ideas unacceptable.
HP world is logically problematic, but emotionally I've never had a single tinge of worry about its structure and ethics.
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/sarcasm mode
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(Anonymous) 2013-03-03 09:42 pm (UTC)(link)no subject
I do think JKR was conscious of it being sometimes a bad thing though.
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(Anonymous) 2013-03-03 10:52 pm (UTC)(link)And it's not just because of Harry's PoV that we see all Slytherins being evil douchebags- if I remember right, we don't really get a student protagonist who isn't a Gryffindor until Luna joins the team in book 5 of a 7-book series. More than half of the series is told exclusively from the perspective of the house whose rivalry with Slytherin is as big and old as Hogwarts itself.
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A carefully planned masterpiece that reveals itself as the books and it's readers mature, or a lucky author that did not anticipate that a children's story does not translate well into more serious issues and unrightfully claims foresight?
I don't know, personally, from the juvenile way the epilogue was written I do believe that Rowling did not really consider the implications of her world when she started to write it, but that's just me. I've always enjoyed the books as they are, but I do love these discussions where people go into more depth :)
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(Anonymous) 2013-03-04 02:34 am (UTC)(link)OP
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(Anonymous) 2013-03-04 03:02 am (UTC)(link)These are just children's books. A lot of us either grew up with them and became adults while reading them; or, we read them as adults after getting pulled in by the hype. We have fooled ourselves, therefore, into thinking that they are not just children's books. We think that they must have some deeper meaning, and that if we can just uncover that meaning, all of the plot holes and logical inconsistencies and silly bits will vanish.
Well, folks, there isn't some deeper meaning. It's just a silly story, and a flawed one, at that.
All of this hand-wringing reminds me of all of the literary critiques of Joy Luck Club. Amy Tan has said that it's just a story, and that it doesn't mean anything, but English professors everywhere still desperately want to believe that it does, so they analyze the fuck out of it anyway.
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Not only is it potentially limiting for the kids, but wouldn't it make more sense to encourage kids to learn how to work with people who have different personality types than their own?
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Am I the only one confused about what the OP's impressions of Sorting and Houses are?
Re: Am I the only one confused about what the OP's impressions of Sorting and Houses are?
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